好样的！国货

六位青春好友组成寻花团，前往四座最具青春样范的花样区域，开启20+青春国货品牌和种花人的体验探索之旅，最终完成四场国货报告会并点亮荣耀时刻。节目用年轻人的视角，探索新时代新国货的独立审美与原创力表达方式，坚定文化自信的品牌价值观，用青春的力量赋能国货。

香水

十八世纪，让-马普蒂斯特•格雷诺耶（本•韦肖 Ben Whishaw 饰）出生在巴黎最肮脏、最恶臭不堪的地方——鱼市场上。格雷诺耶天生对气味有着惊人的天赋：无论恶臭还芳香，他都一一记住，并能轻易分辨各种气味。 当他在孤儿院长到13岁的时候，被院长卖给了制皮匠。格雷诺耶在制皮铺过着犬马不如的生活。机缘巧合，格雷诺耶在香水巴尔蒂尼面前展露了其过人的天赋，进入了香水铺工作。但格雷诺耶并不仅仅满足于制作出世界上最芳香的香水，他梦想学得如何保存万物气味的方法。巴尔蒂尼告诉格雷诺耶香水的起源地在格拉斯，那里的人知道保存气味的方法。格雷诺耶拿着巴尔蒂尼的推荐信来到了格拉斯。 格雷诺耶爱上了青春少女的体香，为了把这种香味保存下来，格雷诺耶最终走上了杀手的道路。

黑脑

除了一个来无影、去无踪的怪老头——忠叔，佟乐影的男友莫飞似乎对九威并不讨厌，甚至非常感兴趣。反派组织况巴团伙儿，千方百计要得到佟博士的科研成果，围绕着佟乐影带来的科研技术，几方势力展开了明暗博弈……人类脑中的思维、意识，如果可供仪器分析量化，甚至删挪改动，是否会打开潘多拉的魔盒？潦倒的破烂王——九威，一直以来，默默地做着美女博士佟乐影的“隐形守护者”，两个人的社会地位、品味修养、都完全不一样，九威的这份“深情厚谊”没有人可以理解。

遇上我的真命天子

遥远的皮塔姆普尔城，有一位维杰辛格王子，以贤明而深受民众拥戴，王子同父异母的弟弟制造了一场意外，打算谋权篡位，王子的忠臣不得不安排长相和王子相似的普利姆进宫，普利姆是罗摩神的信徒，天性乐善好施的普利姆用自己的真心赢得了皇宫所有人的心，面对两位真假王子，美丽的麦迪丽公主将如何选择她的真命天子。

不可掉头

Uturntellsthestoryofabuddinginvestigatorandacopwhowilluncoverthenewconspiraciesofabikegang.

一千灵异夜之转世邪灵普通话

内详

唱首时光给你听

高三这年，患有皮肤情绪过敏症的杜小雨转学到了定海中学高三二班，和酷爱音乐的陆徵成为了同桌，她的生活也因此发生了翻天覆地的变化。这短暂而又漫长的一年时光里，有人离开也有人加入，阳光暖男何之洲、假小子关心、平平无奇的万石佟、任性却又善良的赵云儿……一群性格迥异的少年们共同经历着亲情、友情以及梦想的成长与蜕变，从陌生对立到彼此建立起深厚的友谊。出于共同的音乐梦想，他们成立了“卧虎藏龙”乐队，而当高考来临之际，他们也来到了梦想的分叉口。时隔多年，大家不约而同的奔赴一场音乐节，完成了一场迟到的演出，弥补了青春里最深的遗憾。

洪学智黑河剿匪

《洪学智黑河剿匪》，讲述黑龙江军区司令员洪学智在解放前夕，临危受命，深入虎穴，将盘踞在黑龙江黑河一带土匪山贼一网打尽的故事。洪学智将军1946年5月率领新四军3师特一团来到北安、黑河等地，凭借着卓越的指挥才能和丰富的战斗经验，在逊克县松树沟一带重创了当时黑河地区最大的土匪头子刘光才的部队，消灭了大部分土匪武装。后又率部沿黑龙江北上，解围呼玛、解放漠河，实现了我国北部边境的全面解放。在此期间，黑河中心县委改为黑河地委，洪学智将军兼任地委书记和军分区司令员。在短短的8个月时间里，他的足迹遍布北安、逊克、孙吴等地，率领剿匪部队转战南北。他注重队伍建设，重视政治宣传工作，对部队进行大型整顿和严格军事训练，并在当时地委副书记岳林的建议下，赞同并支持创办了《黑河报》，开辟了政治宣传阵地。在他的直接领导下，1946年8月8日，黑河成立了兆麟联立学校，选派了大量水平高、素质强的老同志、老干部出任校领导，使该校成为教育和培养革命骨干和基地干部的摇篮。局势稳定后，洪学智将军离开黑河。此后多年间，洪学智将军一直思念着黑河的人民，牵挂着黑河的建设与发展，重视和支持黑河的沿边开放工作。当洪老将军1992年重返黑河时，高兴地说，黑河变了，旧貌换新颜；他同时对黑河的建设发展提出了指导性建议。

2月14日 22-23赛季意甲第22轮 维罗纳VS萨勒尼塔纳

无畏之心2

　　薇迪雅是单位的员工,和下半身不能动弹的女儿米妮相依为命,想有一天带着女儿去美国治疗.有一天,女儿不见了,绑匪要她去一个地方.就在她急忙忙赶去的时候,遭遇了车祸.因德尔吉特·辛格副督察接手了这起车祸案,他翻看了薇迪雅的日记,发现原来米妮并不是她女儿.原来8年前,米妮叔叔猥亵她,而薇迪雅最终把米妮救了出来,期间米妮奶奶被薇迪雅推倒在地身亡.薇迪雅也带着米妮逃离了,可遭到了警方的通缉.而现今的绑匪正是米妮的叔叔.其实,薇迪雅原来是因德尔吉特·辛格的前妻杜尔迦·拉妮·辛格......

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

行运百分百

达子是一个ConfidenceMan，即信用欺诈师。她可以凭借自己的天才头脑和出类拔萃的集中力在短时间内掌握各种艰涩难懂的专业知识。她长期居住在高档酒店的豪华套房，虽然天赋异禀却有着纯真马虎的一面。达子的搭档是小朋友，一个总是被她耍得团团转的性格谨慎的老好人，他总盼望着早日金盆洗手，光明磊落地生活。另一位搭档是拥有超一流变装技术，把自己与生俱来的好气质运用于骗术的理查德。他们以纵横于各个行业，以花花世界作为他们的舞台，用各种异想天开的计划从利欲熏心的人们手中骗取钱财，是一部大快人心的喜剧。