Blu-ray&DVD特典动画短片,共6话。BD&DVD卷数//发售日//特典日文标题//特典中文标题1//2014年10月8日//帝都の精霊大祭//帝都的精灵大祭2//2014年11月5日//エスト、看病する//爱思特,照顾病人3//2014年12月3日//お姫様の内緒のアルバイト//公主们的秘密打工4//2015年1月7日//伝説の巨乳精霊を追え!//追寻传说的巨乳精灵!5//2015年2月4日//戦慄の闇鍋バトル//战栗的暗锅战斗6//2015年3月4日//精霊使いの休息//精灵使的休息详见维基百科:http://zh.wikipedia.org/wiki/%E7%B2%BE%E7%81%B5%E4%BD%BF%E7%9A%84%E5%89%91%E8%88%9E
故事发生在长沙的一个奇妙的夜晚。夜猫子景为为(尹昉 饰)在书店邂逅了明早将要离开故乡的何西西(张婧仪 饰),俩人相约搭伙夜游。何西西聊起同父异母的哥哥,脱口秀演员何岸(张艺兴 饰),就在今晚的演出上,何岸的父亲(罗钢 饰)出现在观众席中,俩人不欢而散。另一边,陈清智(白宇帆 饰)、梁宝琦(周思羽 饰)、老谢(吴军 饰)守护着摩天轮,他们边欣赏夜景,边感叹打工不易。夜更深了,这一晚也是网红大排档老板娘丽姐(苏岩 饰)最后一次掌勺做粉,她决定让自己的徒弟旭哥(吴昊宸 饰)接手继续经营大排档。夜晚即将过去,一群人一起坐在大排档里嗦粉,邂逅、热爱、留下、离开、和解、团圆,都发生在这座城市里,每个人都找到了深爱这里的理由。
黄土坡村的青壮劳力在实行土地承包后,纷纷外出挣钱,只有一些婆姨们和老弱病残者仍留在村中。乐大同将赚来的五千元钱交给妻子常绿叶,想攒钱造一幢新房。常绿叶为做好春耕说服公婆用钱买回一部小型拖拉机和一些配套农具。在余技术员的热情帮助下,常绿叶带领婆姨们组成承包联合体,实行科学种田。乐大同得知说妻子将钱买了拖拉机,气得与妻子大打出手,并准备卖掉拖拉机。乐大爷及时阻止了此事。粮食终于获得丰收,但因粮站库房漏...
警察阿猫(周润发 饰)于枪枝交易现场发现了一具女尸,跟一个小女孩加加。为了能顺利破案,他找到了死者妹妹阿雪(钟楚红 饰),刚开始阿雪对阿猫有莫明的恐惧,拒绝配合阿猫的工作,但后来见阿猫对加加的细心照顾,慢慢对他有了好感。此时阿雪的前夫阿良回来要求阿雪与他复婚,因为阿雪已经爱上了阿猫,便拒绝了阿良的要求。 一天,阿猫遇到了头晕军火的匪徒,双方激战后阿猫逮捕了他们,受了重伤的阿猫幸好得到了阿雪的照顾,两人感情加深。阿良竟然住进了阿雪的家里,偷运军火的人也盯上了阿猫。刚到阿雪家,阿猫便受到了阿良的袭击,两人
“即使时代变了,人类对爱情的心意也不会改变”是一部纯情漫画般的浪漫爱情影片,成勋将担任片中的同名主人公“成勋”,是经营咖啡店的魅力咖啡师,在美国长大的他在喜欢的女生面前连打招呼都说不出口,是认为工作时就工作,恋爱时就恋爱的纯粹的韩国男人,但是,后半段将诠释陷入爱河的男人的悸动的心和热情。
一个对时装设计充满激情的年轻女孩神秘地进入了20世纪60年代,在那里她遇到了自己的偶像,一个令人眼花缭乱的准歌手。但上世纪60年代的伦敦并不是它看起来的那样,时间似乎随着阴暗的后果而分崩离析。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
本片讲述了一段跨越性别、跨越物种的爱情故事。 因为父母离婚,川内洲(梶裕贵 配音)自小与祖父一起生活。祖父去世那天,他一个人跑到海边哭泣,一不小心失足落水。洲被一个迷之美男子救了起来,却发现对方是一条人鱼!洲把人鱼带回家,还帮他改名为“ISAKI”(绿川光 配音)。因为与人 鱼 朝夕相处,曾经寂寞悲伤的洲渐渐地开朗起来,跟学校同学的关系也亲密起来。不久后,随着文化祭的临近,洲的学校生活越发忙碌充实起来。常常独自一人在家守候的人鱼伊佐木,觉得洲已经不再需要自己了。一天夜里,当洲回到家中,他发现人鱼不见了……
前洛杉矶警察Dakota Varley参加动力艇比赛,拼搏$250,000的奖金。但是他很快发现,这根本就不是那么一回事。他被Dawson麻醉和劫持,被空投到一个无人岛上和另外六名可怜虫参加终极挑战死亡游戏。他们每夜会被持来复的猎人追捕,直到唯一一人幸存。最后到底谁又会赢得这场价值$10,000,000奖金的比赛呢?让我们跟随Varley的极度地动作冒险去体会乘风驾浪的快感,你准备好了么?
五百年前,妖猴孙悟空大闹天宫,意外踢翻八卦炉导致天火降世。铁扇公主为救苍生,竭尽全力压制天火,但她腹中的红孩儿却被八卦炉的三昧真火侵蚀,成了魔童。铁扇千禧寿宴之际,红孩儿一直为母亲寻世间珍宝。听闻取经团队经过,被苍狼怪怂恿去抢唐僧。就在红孩儿和孙悟空大战之时,苍狼怪设计将二人困于八卦炉之内,原来苍狼怪幼时家人在天火中丧生,故伺机向孙悟空复仇。令人意想不到的是,苍狼怪的阴谋使得火云村百姓再次遭遇山火陷入危难之中。红孩儿成魔,化身火焰巨人,铁扇公主说出真相,用最后的法力去拯救苍生,拿出菩萨给的一滴甘露,此时孙悟空顿悟佛法,明了因果业障,一切的源头都在自己,决定自我牺牲,拿着甘露走向火焰巨人。
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